Download Little White Houses: How the Postwar Home Constructed Race in America (Architecture, Landscape and Amer Culture), by Dianne Harris
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Little White Houses: How the Postwar Home Constructed Race in America (Architecture, Landscape and Amer Culture), by Dianne Harris
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white.
Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.
- Sales Rank: #954966 in eBooks
- Published on: 2013-01-05
- Released on: 2013-01-05
- Format: Kindle eBook
Review
"In this fascinating probe of the familiar suburban tract homes of the post–World War II era, Dianne Harris powerfully conveys how race and class were inscribed on the new metropolitan landscape. White middle-class America was born and raised in suburbia, a legacy we still live with today."—Lizabeth Cohen, author of A Consumers’ Republic: The Politics of Mass Consumption in Postwar America
"Impressively interdisciplinary and marvelously attentive to telling details, intimate lives, and social structures, Dianne Harris joins Dolores Hayden, Gwendolyn Wright, and others in making the architecture and landscape of everyday lives illuminate the workings of an entire historical period. Little White Houses is a blockbuster contribution to the critical study of whiteness and to the history of the United States after World War II."—David Roediger, author of How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon
"Harris has contributed a major shift in perspective toward new and important ways to understand the history of postwar housing in the United States."—Antipode
"Little White Houses establishes a clearly articulated framework which future studies may be informed..., general readers and academics alike should take great interest in her provocative and groundbreaking book."—Art Libraries Society of North America (ARLiS/NA)
"Highly recommended."—Choice
"Harris’ book should motivate scholarly discussions and discourse for continued work toward creation of a more civil American society."—Journal of Family & Consumer Sciences
"[Harris’s] nuanced conception of the relationship between perceptions of racial identity, the federal systems of real estate financing, and the ways in which individual cultural choices defined the physical spaces associated with he single-family home is thoughtful and well-executed. However, the crucial correction to architectural histories that overlook the myriad roles race played in assumptions about design consistently marks the fundamental excellence of the text."—American Historical Review
"[Harris] powerfully conveys the idea that socially conditioned personal, family, and even national identities are fashioned as much from material and spatial configurations of the home as from explicit political and cultural beliefs."—Journal of Architectural Education
"Little White Houses is both lots of fun and incredibly valuable."—American Studies
"Harris’s ingenuity in teasing out radical modern innovation, rapid historical change, and insidious ideological operations from the most mundane and familiar objects and arrangements is fascinating."—Traditional Dwellings & Settlements Review
"Little White Houses offers an important contribution to the fields of suburban studies and whiteness studies, as well as to architectural history as a whole, providing a fresh look at the racial and classed dimensions of space and its representation and promotion during the postwar era."—Journal of American Studies
"Few scholars have so effectively drawn attention to the most unremarkable aspects of the built environment. Harris has produced a book that will be sure to engage readers and influence scholarship for many years to come."—Buildings & Landscapes
"An excellent look into the crucial role the spaces of the home played in American identity formation and, more specifically, how those identities were strongly shaped by the narrow vision of home life in the postwar world."—H-Net Reviews
About the Author
Dianne Harris is an architectural historian and director of the Illinois Program for Research in the Humanities at the University of Illinois, Urbana-Champaign. She is the author of The Nature of Authority: Villa Culture, Landscape, and Representation in Eighteenth-Century Lombardy and the editor of Second Suburb: Levittown, Pennsylvania, among other books.
Most helpful customer reviews
2 of 2 people found the following review helpful.
intense
By Nicholas Charles Ralabate
i've never had my mind blown within the first few pages. this is (and should be) a controversial reappraisal of suburban architecture in the fifteen year period following world war ii. harris applies zizek's cynical reason to the design, construction, sale, and celebration of what are ostensibly bland looking houses. this books's existence can almost be seen as a call to arms against the invisible ideology of the mundane, like bogost with more suspicion. hell, she even brings into light the cultural politics of the axonometric perspective. i am a game designer and between the notion of applying architectural rhetoric to our pseudo-worlds, thinking about the fashion / art-politic concerns in our choice of mechanical (or non) perspective and rewriting how i look at my workspace, this book is more than worth the cost.
1 of 1 people found the following review helpful.
New take on a familiar topic
By Sarah Lerch
Diane Harris is a Professor of History, an architectural historian, and the Director of the Illinois Program for Research in the Humanities at the University of Illinois, Urbana-Champaign. Her area of interest is the intersectionality of racial and class identities and the built environment. Harris’ latest book, Little White Houses: How the Postwar Home Constructed Race in America, published in 2013, is an exploration of the social construction of whiteness in postwar America through suburban architecture and landscape. She concentrates on the time period of 1945 through 1960 and the structure of the “ordinary postwar home,” which she describes as ones built by developers for a mostly white, audience (4). She takes a new approach and enhances a familiar subject, post-War World II housing, by analyzing how cultural norms and iconography equated the standard single family suburban home with white middle-class families.
Harris uses descriptions of her Jewish grandparents’ postwar house to give the reader a detailed sense of an actual “ordinary postwar home.” This example gives an added layer to the black vs white binary and as the case study provides intimate details of an immigrant family navigating a racialized housing market and interior space. Her sources are plentiful and varied, including floor plans, architectural drawings, advertisements, television programs, popular and trade magazines, and photographs. The visual images from these sources are included within the text, which greatly augments her argument by giving the reader a clear visual connection to the concept or space she is describing or analyzing.
The most innovative and intriguing chapters of the book are the last three on the interior of the house and the surrounding landscape. Harris describes the racialized interior of these typical houses by looking at built-ins and closets meant for storage space. Using the example of her Jewish grandparents needing additional storage space to maintain a kosher household, she demonstrates that the “ordinary postwar house” was designed specifically for a public presumed to be white and Christian (185). She also explores the outside spaces of the home, including the fences, gardens, and lawns. Harris reveals that tending to lawns and gardens was presented as both a recreational and a status enhancing activity (270). She successfully emphasizes the idea that identity, whether it be racial or class, was formed, and continue to be formed, not only through cultural beliefs but through material culture and spatial arrangements.
Harris turns the familiar post-World War II suburban housing development on its head by looking at the racial and class distinctions imposed on these neighborhoods through the juxtaposition of architecture and culture. She makes a convincing argument about the connection between the formation of non-white and white racial identities and the postwar suburban home. Harris’ extensive research, in-depth analysis, and nuanced approach of using material culture and space as evidence changes the way historians view postwar housing and race relations in America.
0 of 0 people found the following review helpful.
A wonderful, well researched book that looks at how postwar ...
By kolo
A wonderful, well researched book that looks at how postwar suburban housing and its cultural associations defined race, class, gender, nationality, etc.
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